2018 - Vita e Pensiero
Articolo
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Il pubblico del teatro contemporaneo : fra auto-osservazione e processi di fruizione
P. 448-462
Fa parte di
Comunicazioni sociali : 3, 2018-
Informazioni
Codice DOI: 10.26350/001200_000031
ISSN: 1827-7969
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Nello stesso fascicolo
- Introduction : The International Circulation of European Cinema in the Digital Era.
- The Circulation of European Films within Europe
- Crossing Borders : The Circulation and Reception of Non-National European Films in Italy
- From Distribution to Circulation Studies : Mapping Italian Films Abroad
- Italian Cinema in Film Journals in France and United States
- The Distribution of Contemporary Italian Cinema in the United States: The Films of Luca Guadagnino and Paolo Sorrentino
- The Contemporary Circulation of Italian Cinema across US Television and Digital Platforms : Methods, Limits, Main Paths
- National Screen Productions and Global SVOD Services : the Case of Netflix in the UK and Italy
- Blockchain : a New Way of Distribution, Promotion and Improvement of the Artistic, Economic and Cultural Situation of a Film in the EU.
- Grasping the Disturbing : the Confusing Coverage of a Shooting in a Monterrey Primary School
- Mapping the Impact of ISIS Propaganda Narratives : Evidences from a Qualitative Analysis in Italy and France
- Il pubblico del teatro contemporaneo : fra auto-osservazione e processi di fruizione
- Pubblicità e rappresentazione femminile : tra vecchi e nuovi stereotipi
- Indice ragionato 2018
