Il pubblico del teatro contemporaneo : fra auto-osservazione e processi di fruizione

P. 448-462

• Articles from the same issue (available individually)

  • Introduction : The International Circulation of European Cinema in the Digital Era.
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  • The Circulation of European Films within Europe
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  • Crossing Borders : The Circulation and Reception of Non-National European Films in Italy
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  • From Distribution to Circulation Studies : Mapping Italian Films Abroad
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  • Italian Cinema in Film Journals in France and United States
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  • The Distribution of Contemporary Italian Cinema in the United States: The Films of Luca Guadagnino and Paolo Sorrentino
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  • The Contemporary Circulation of Italian Cinema across US Television and Digital Platforms : Methods, Limits, Main Paths
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  • National Screen Productions and Global SVOD Services : the Case of Netflix in the UK and Italy
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  • Blockchain : a New Way of Distribution, Promotion and Improvement of the Artistic, Economic and Cultural Situation of a Film in the EU.
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  • Grasping the Disturbing : the Confusing Coverage of a Shooting in a Monterrey Primary School
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  • Mapping the Impact of ISIS Propaganda Narratives : Evidences from a Qualitative Analysis in Italy and France
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  • Il pubblico del teatro contemporaneo : fra auto-osservazione e processi di fruizione
  • Pubblicità e rappresentazione femminile : tra vecchi e nuovi stereotipi
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  • Indice ragionato 2018
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• Information

  DOI: 10.26350/001200_000031

  ISSN: 1827-7969

  Permalink: http://digital.casalini.it/10.26350/001200_000031