2022 - Salerno
Artículo
Digital Version
Download | NO Copia/pega | Impresión (10)
Fedeltà metrica e sedimenti petrarcheschi nelle canzoni secondo cinquecentesche sullo schema di RVF, 126 [risorsa elettronica]
1 risorsa online (32 p.) p.
121-152.
- The schema of 'Chiare, fresche et dolci acque' is by far the most imitated in the history of Italian literature. This leading position makes Rvf, 126 into a rhyming prototype that some authors of the second half of the 16th century seem only to imitate from a formal point of view. This article examines the canzone, reconstructing the history of its reception through critical literature and ancient and modern commentaries. At the same time, a number of 16th-century texts adopting the schema of Rvf, 126 are analyzed, with the aim of highlighting similarities and differences in imitative methods, in retrieval, in reformulation, and in the avoidance of certain conventional motifs (whether of a formal nature, or content-related).
Forma parte de
Studi petrarcheschi : XXXV, 2022-
Información
Código DOI: 10.61002/112968
ISSN: 1128-2045
-
En el mismo archivo
- Sulla dispersa 53 (Var., 4) di Francesco Petrarca
- Il Secretum in Europa: Storia di libri e storia culturale
- Il grande Atride, l'alto Achille (Petrarca, RVF, 360 91)
- Una "estravagante" da togliere a Petrarca?
- Fedeltà metrica e sedimenti petrarcheschi nelle canzoni secondo cinquecentesche sullo schema di RVF, 126
- Antonio Meneghelli e Francesco Negri volgarizzatori di Petrarca (con l'edizione critica della dispersa 30)