Displaced art objects : a constant field of conflict between Italy and Yugoslavia

P. 169-190

• Capitoli dello stesso volume (disponibili singolarmente)

  • Foreword
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  • The Alpine-Adriatic Region : an outline of its 20th-century history
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  • Maps
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  • Editorial Note
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  • Safeguarding in war theatres : the Austro-Italian front
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  • Bells, organs and church roofs into weapons
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  • The cultural heritage of Friuli during the Austro-German occupation (1917-1918)
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  • Redefining identities
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  • Struggling for art : war damages, claims and restitutions
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  • Strengthening feelings of national identity : the case of Zadar
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  • Displaced art objects : a constant field of conflict between Italy and Yugoslavia
  • Italian safeguarding of cultural heritage in border areas
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  • Illusions of a cultural policy : the Italian occupation of Slovenia (1941-1943)
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  • "Machen Sie mir dieses Land wieder deutsch!" : the German occupation of Slovenia (1941-1945)
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  • Hunting for nordic traces from South Tyrol to Slovenia : the role of the SS-Ahnenerbe
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  • Nationalizing Croatian art (1941-1945)
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  • Trieste, a last way out : Jewish emigrants and their cultural assets
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  • The confiscation of Jewish cultural assets in Italy : from Fascist to Nazi persecution
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  • The restitution of Jewish cultural assets in the free territory of Trieste
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  • The Allies and art restitutions : the case of Zadar
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  • Policies of appropriation and redistribution in socialist Yugoslavia (1947-1966)
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  • Cold War shadows on a Borderland Region
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  • Italy and Yugoslavia : claims, reparations and restitutions (1947-1961)
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  • For the sake of Yugoslavia and self-celebration : the Mimara donations
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  • Istrian Artworks in Italy
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  • Conclusion
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  • Biographical notes
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  • Concordance of place names
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  • Appendix 1 : Time, places, borders : an overview
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  • Appendix 2 : Maps 1939-1945
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  • List of Archives
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  • Bibliography
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  Codice DOI: 10.1400/289767

  Permalink: https://digital.casalini.it/10.1400/289767