Backstage Live : Theatre, Opera and the Obscene in the Visual Age.

P. 43-59

• Articoli dello stesso fascicolo (disponibili singolarmente)

  • Prefazione
  • Listening and Looking in the Age of Sound Art : notes on History, Theory, Practice, and Reception
  • Beethoven's "Appassionata" in the Tube : Conflicting Temporalities in Graphically Animated Music Videos
  • Backstage Live : Theatre, Opera and the Obscene in the Visual Age.
  • La popular music in una prospettiva transmediale : il caso della trap in Italia
  • "Sounding" the Space : Soundscape and Construction of the Imaginary in the Historical District of San Berillo
  • Between Site-Specific and Sound Installation : the Multisensory Experience of Andrew May's Unset
  • Image of the Conductor : a Case Study of Simon Steen-Andersen's AMID
  • "Da ward mein Auge wach" : Filmed Performances of Schubert's Winterreise and the Tradition of Visualizing Schubert Songs
  • Against the Grain and Out Yonder : Decolonizing the Music Conservatory via Vernacular Pedagogies
  • Between Music and Painting : Walter Ruttmann's Opus Films
  • Re-envisaging Chinese Traditional Music : the Use of Pre-existing Music in Post-war Hong Kong Martial Arts Costume Drama Films
  • Il passato come "avvenir migliore" : sovrimpressioni mediali nella Traviata di Lazar
  • Nei deserti di Varèse e di Viola
• Informazioni

  Codice DOI: 10.53152/1178

  ISSN: 0069-3391

  Permalink: http://digital.casalini.it/10.53152/1178