Leonardo's treatise and the empirical undertow in British art theory

P. 203-220

• Capitoli dello stesso volume (disponibili singolarmente)

  • Preliminaries
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  • Foreword
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  • Acknowledgements
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  • Preface
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  • Introduction
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  • Guide to short forms used
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  • The Windsor Leonardos, 1519–2019
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  • Leonardo in the collection of general John Guise (1682-1765)
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  • Leonardo drawings in bloomsbury and beyond
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  • Leonardo's St Anne types and the dating of the National Gallery Cartoon
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  • Towards a biography of the National Gallery's Virgin of the Rocks
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  • Update on and insights into the Royal Academy Copy of The Last Supper and its reception in England in the first half of the Nineteenth century
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  • The critical fortuna of Leonardo in Seventeenth-Century England
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  • The National Gallery searching for Leonardo : acquisitions and contributions to knowledge about the Lombard school
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  • Leonardo's afterlife in the world of New philosophy
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  • Leonardo's science in Seventeenth- and Eighteenth-century England : the Codex Leicester, the Codex Arundel and the Codex Huygens
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  • Leonardo's treatise and the empirical undertow in British art theory
  • Leonardo's treatise of painting : the first English edition and the manuscripts owned by Patch, Smith and Johnson
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  • Rigaud's popular translation of Leonardo's Treatise on painting (1802)
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  • Attitudes to Leonardo at the Royal Academy of Arts, 1768-1830
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  • Alexander Cozens and Leonardo da Vinci : blot and landscape painting between the Eighteenth and Nineteenth century
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  • The power of an intimate presence : Walter Pater's Leonardo essay (1869) and its influence at the fin de siècle
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  • Re-reading Richter and MacCurdy : lessons in translation
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  • Kenneth Clark and Leonardo : from connoisseurship to broadcasting to digital technologies
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  • John Shearman's Leonardo
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  • [Plates]
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  • Picturec credits
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  • Manuscript sources and bibliography
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  • Index
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  • Note on editors
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  Codice DOI: 10.1400/275941

  Permalink: https://digital.casalini.it/10.1400/275941