Autobiographies Face to Face : Liv Ullmann and Ingmar Bergman at the Threshold between Reality and Cinematic Fiction

P. 185-198

• Articoli dello stesso fascicolo (disponibili singolarmente)

  • Preface
    Ottieni articolo
  • Bergman's Landscapes : From Shooting Locations to Metaphors
    Ottieni articolo
  • The Role of Music in Ingmar Bergman's Films
    Ottieni articolo
  • Notes on Young Bergman's Narrative Form : Kri.
    Ottieni articolo
  • We Are Like a Circus : the Magic Ring in Theatre and Cinema
    Ottieni articolo
  • Words Lie, Writing Penetrates
    Ottieni articolo
  • Unmasking the Face : Notes on the Look at the Camera in Ingmar Bergman
    Ottieni articolo
  • Sommarnattens leende : Motives, Themes, Figures
    Ottieni articolo
  • Sommarnattens leende or Unresigned Humour in Bergman's Cinema
    Ottieni articolo
  • Tystnaden
    Ottieni articolo
  • Like a Ghost Sonata : the Temporal Dimension of the Fantastic in Vargtimmen
    Ottieni articolo
  • A Strong Wind Indeed : Notes on Ingmar Bergman's Vargtimmen
    Ottieni articolo
  • References to Dionysianism in Bergman's Riten
    Ottieni articolo
  • The Work on Actors in the Polyptych of Fårö
    Ottieni articolo
  • Autobiographies Face to Face : Liv Ullmann and Ingmar Bergman at the Threshold between Reality and Cinematic Fiction
  • The Turk Unbound : the Captivity/Release Motif in Danish Theatrical Turqueries
    Ottieni articolo
  • A Doll's House on the Modern Chinese Stage
    Ottieni articolo
  • A Disenchanted View of Freedom : Elfriede Jelinek's Continuation of Two Ibsen' Plays
    Ottieni articolo
• Informazioni

  Codice DOI: 10.1400/180034

  ISSN: 2036-5632

  Permalink: http://digital.casalini.it/10.1400/180034