Lorenzo Da Ponte's Legacy : Italian Opera, Singers, and Identity in New York City in the 1840s and 1850s

P. 189-209

• Chapitres du même volume (disponibles individuellement)

  • Opera as an Immigrant in Lorenzo Da Ponte's New York
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  • At the Dawn of Italian Opera in America : Phil Trajetta in Charleston (1803)and New York City (1810)
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  • Lorenzo Da Ponte and Cultural Life in the United States
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  • “Lynch Has Been in Paradise As to Music” : The Irish American in Paris and the Diva Who Inspired Him to Introduce Italian Opera to New York in 1825
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  • Finding a New Home for Italian Opera : Manuel García and the Lafayette Theatre
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  • Italian Opera Tries to Take Root : Lorenzo Da Ponte's Last Ape Musicale and Its Context
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  • In Da Ponte's Steps : Piero Maroncelli and Amalia Schneider in New York
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  • Lorenzo Da Ponte's Legacy : Italian Opera, Singers, and Identity in New York City in the 1840s and 1850s
  • References
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  • Index of Names
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• Informations

  Code DOI : 10.53152/1364

  Permalink: http://digital.casalini.it/10.53152/1364