Opera as an Immigrant in Lorenzo Da Ponte's New York

P. 3-20

• Chapitres du même volume (disponibles individuellement)

  • Opera as an Immigrant in Lorenzo Da Ponte's New York
  • At the Dawn of Italian Opera in America : Phil Trajetta in Charleston (1803)and New York City (1810)
    Obtenir le chapitre
  • Lorenzo Da Ponte and Cultural Life in the United States
    Obtenir le chapitre
  • “Lynch Has Been in Paradise As to Music” : The Irish American in Paris and the Diva Who Inspired Him to Introduce Italian Opera to New York in 1825
    Obtenir le chapitre
  • Finding a New Home for Italian Opera : Manuel García and the Lafayette Theatre
    Obtenir le chapitre
  • Italian Opera Tries to Take Root : Lorenzo Da Ponte's Last Ape Musicale and Its Context
    Obtenir le chapitre
  • In Da Ponte's Steps : Piero Maroncelli and Amalia Schneider in New York
    Obtenir le chapitre
  • Lorenzo Da Ponte's Legacy : Italian Opera, Singers, and Identity in New York City in the 1840s and 1850s
    Obtenir le chapitre
  • References
    Obtenir le chapitre
  • Index of Names
    Obtenir le chapitre
• Informations

  Code DOI : 10.53152/1357

  Permalink: http://digital.casalini.it/10.53152/1357