Wax Artefacts in the Kunstkammer of Archduke Ferdinand II (1529-1595) at Ambras Castle

P. 251-260

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  • Foreword
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  • Acknowledgments
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  • The wax models of the gynaecological and obstetric clinic of the University of Padua
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  • Plague : from palæopathology to wax modelling
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  • Anatomical wax modelling in modern Egypt : Leon Gatineau, his craft and his contribute to ceroplastic technique
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  • Art & Science between Life & Death
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  • Travelling exhibitions and wax makers on the move : anatomies in early 19th-century Barcelona
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  • What Ziegler did not provide – the embryological plate models of the laboratory of anatomist Lodewijk Bolk
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  • Further anatomical findings in the wax models of Susini and Boi at the University of Cagliari
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  • The anatomical waxes in the early stage of smallpox vaccinations
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  • Wax models in Barcelona : from university anatomical sculptors to makers of dermatological waxworks
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  • Scientific ceroplasty in Milan : new research acquisitions
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  • The teaching of phytoparasitology in the collections of the Istituto Tecnico Toscano of Florence
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  • Italian fungi models : a teaching aid to avoid mushroom poisoning in the XIX century
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  • Reviving a neglected collection through collaborative knowledge production : the case of the Stockholm moulages
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  • Finger Faces : Wax Hand Models and Moulages in Medicine
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  • Following the tracks of the past : the recuperation of the Olavide Museum
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  • Dermatological moulages – the artists behind the objects
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  • The degradation of the anatomical wax models of “La Specola” Museum as a result of a demixing process
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  • Anna Morandi : Bolognese ceroplastics between practice and theory
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  • Waxing and Waning : The curious case of an early Eaton's wax displaymannequin
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  • From the Doge's funeral masks to the ‘children with no names' : the art of wax modelling in Venice
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  • Wax Artefacts in the Kunstkammer of Archduke Ferdinand II (1529-1595) at Ambras Castle
  • Cast, Not Modelled : the Importance of Understanding Materials and Processes in Medardo Rosso's Waxes
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  • Rescue of ancient pigments for the current ceroplastic technique, performed by the Mexican artisan Marco A. Miranda
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  • A new sculpture Commission for the Wellcome Galleries of Medicine, Science Museum London
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  • Rethinking and reinterpreting the 18th – 19th century wax models of the Università di Modena e Reggio Emilia's Museum Centre (In studiis artistarum project)
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  • A CAPITE AD CALCEM : Anatomical models become the face of a literary and multimedia project
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  • The masks of Lorenzo Tenchini at the University of Parma : their legacy to the modern concepts of facial transplantation, additive layer manufacturing, and facial recognition algorithms
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  • Ceroplasty's Future : The Plastinates of Gunther von Hagens' BodyWorlds and the Visual Language of Modernity
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  • Illustrations
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  • Annex : Congress Programme
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  isbn: 9788891320292

  Permalink: https://digital.casalini.it/5360884