What Ziegler did not provide – the embryological plate models of the laboratory of anatomist Lodewijk Bolk

P. 67-77

• store_in_same_m

  • Foreword
    get_in_same_m
  • Acknowledgments
    get_in_same_m
  • The wax models of the gynaecological and obstetric clinic of the University of Padua
    get_in_same_m
  • Plague : from palæopathology to wax modelling
    get_in_same_m
  • Anatomical wax modelling in modern Egypt : Leon Gatineau, his craft and his contribute to ceroplastic technique
    get_in_same_m
  • Art & Science between Life & Death
    get_in_same_m
  • Travelling exhibitions and wax makers on the move : anatomies in early 19th-century Barcelona
    get_in_same_m
  • What Ziegler did not provide – the embryological plate models of the laboratory of anatomist Lodewijk Bolk
  • Further anatomical findings in the wax models of Susini and Boi at the University of Cagliari
    get_in_same_m
  • The anatomical waxes in the early stage of smallpox vaccinations
    get_in_same_m
  • Wax models in Barcelona : from university anatomical sculptors to makers of dermatological waxworks
    get_in_same_m
  • Scientific ceroplasty in Milan : new research acquisitions
    get_in_same_m
  • The teaching of phytoparasitology in the collections of the Istituto Tecnico Toscano of Florence
    get_in_same_m
  • Italian fungi models : a teaching aid to avoid mushroom poisoning in the XIX century
    get_in_same_m
  • Reviving a neglected collection through collaborative knowledge production : the case of the Stockholm moulages
    get_in_same_m
  • Finger Faces : Wax Hand Models and Moulages in Medicine
    get_in_same_m
  • Following the tracks of the past : the recuperation of the Olavide Museum
    get_in_same_m
  • Dermatological moulages – the artists behind the objects
    get_in_same_m
  • The degradation of the anatomical wax models of “La Specola” Museum as a result of a demixing process
    get_in_same_m
  • Anna Morandi : Bolognese ceroplastics between practice and theory
    get_in_same_m
  • Waxing and Waning : The curious case of an early Eaton's wax displaymannequin
    get_in_same_m
  • From the Doge's funeral masks to the ‘children with no names' : the art of wax modelling in Venice
    get_in_same_m
  • Wax Artefacts in the Kunstkammer of Archduke Ferdinand II (1529-1595) at Ambras Castle
    get_in_same_m
  • Cast, Not Modelled : the Importance of Understanding Materials and Processes in Medardo Rosso's Waxes
    get_in_same_m
  • Rescue of ancient pigments for the current ceroplastic technique, performed by the Mexican artisan Marco A. Miranda
    get_in_same_m
  • A new sculpture Commission for the Wellcome Galleries of Medicine, Science Museum London
    get_in_same_m
  • Rethinking and reinterpreting the 18th – 19th century wax models of the Università di Modena e Reggio Emilia's Museum Centre (In studiis artistarum project)
    get_in_same_m
  • A CAPITE AD CALCEM : Anatomical models become the face of a literary and multimedia project
    get_in_same_m
  • The masks of Lorenzo Tenchini at the University of Parma : their legacy to the modern concepts of facial transplantation, additive layer manufacturing, and facial recognition algorithms
    get_in_same_m
  • Ceroplasty's Future : The Plastinates of Gunther von Hagens' BodyWorlds and the Visual Language of Modernity
    get_in_same_m
  • Illustrations
    get_in_same_m
  • Annex : Congress Programme
    get_in_same_m

  show_more
• information

  isbn: 9788891320292

  Permalink: https://digital.casalini.it/5360792