Comunicazioni sociali : 3, 2019
[Writing for cinema, writing for television]

P. 343-481

• Artículos del mismo número (disponibles individualmente)

  • Introduction
    Obtener artículo
  • From television to cinema and back to television again (25 years later) : Twin Peaks' ambivalent scriptwriting approach
    Obtener artículo
  • Creative strategies in the TV adaptation of Fargo : narrative and aesthetic features
    Obtener artículo
  • Caught in the second act : the relationship between film and the TV sitcom
    Obtener artículo
  • The Italian storytelling approach to TV seriality compared to the US method : a case study
    Obtener artículo
  • Adapting Pippi Longstocking : the 1969 television series moves from Sweden to Italy
    Obtener artículo
  • Co-productions and the logic of negotiating stereotypes : Bron|Broen and The Bridge
    Obtener artículo
  • Identity, time and free in stories : a poetical study on the TV series Dark
    Obtener artículo
  • Illuminating the inciting incident and the lessons learned along the journey
    Obtener artículo
  • The Leftovers (rehated) : examining the layering of story and character archetypes in the television drama series : The Leftovers
    Obtener artículo
  • Indice ragionato
    Obtener artículo

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• Información

  ISSN: 1827-7969

  Permalink: https://digital.casalini.it/4624430

  MATERIAS

  • Sociología y antropología