The Vision of the End : Anders on the TV Series Holocaust

P. 115-124

• Articles from the same issue (available individually)

  • Suspended Evidence : Rethinking the Photographic
    Get article
  • From Stillness (in)to Motion through Astronomical Images : The Cases of Jules Janssen's Photographic Revolver and Josep Comas i Solà's Spectrographic Cinematography
    Get article
  • Les Formes cinématographiques du discours photographique : le cas de Men at Work, de Lewis Hine
    Get article
  • Still-moving Engrams : The Ecstasy of Bodily Gestures in Chronophotography and its Contemporary Reproductions
    Get article
  • Deterritorialized Images : Future Visions, Past Memories
    Get article
  • Jeff Wall, beyond the Borders of the Medium : Photography, History Painting and the Cinema of the Living-dead
    Get article
  • The Image, Alone : Photography, Painting and the Tableau Aesthetic in Post-Cinema
    Get article
  • The Vision of the End : Anders on the TV Series Holocaust
  • Projects & Abstracts
    Get article
  • Reviews / Comptes-rendus
    Get article
  • Contributors / Collaborateurs
    Get article

  Show more
• Information

  ISSN: 2035-5270

  Permalink: https://digital.casalini.it/5049097