The Image, Alone : Photography, Painting and the Tableau Aesthetic in Post-Cinema

P. 97-112

• Articles from the same issue (available individually)

  • Suspended Evidence : Rethinking the Photographic
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  • From Stillness (in)to Motion through Astronomical Images : The Cases of Jules Janssen's Photographic Revolver and Josep Comas i Solà's Spectrographic Cinematography
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  • Les Formes cinématographiques du discours photographique : le cas de Men at Work, de Lewis Hine
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  • Still-moving Engrams : The Ecstasy of Bodily Gestures in Chronophotography and its Contemporary Reproductions
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  • Deterritorialized Images : Future Visions, Past Memories
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  • Jeff Wall, beyond the Borders of the Medium : Photography, History Painting and the Cinema of the Living-dead
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  • The Image, Alone : Photography, Painting and the Tableau Aesthetic in Post-Cinema
  • The Vision of the End : Anders on the TV Series Holocaust
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  • Projects & Abstracts
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  • Reviews / Comptes-rendus
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  • Contributors / Collaborateurs
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• Information

  ISSN: 2035-5270

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