The Feeling of Motion : Camera Movements and Motor Cognition

P. 103-112

• Articles from the same issue (available individually)

  • Neurofilmology : an Introduction
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  • Neuroaesthetics and Neurocinematics : Reading the Brain/Film through the Film/Brain
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  • Neurocinematics and the Discourse of Control : Towards a Critical Neurofilmology
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  • Dexter's Plastic Brain : Mentalizing and Mirroring in Cinematic Empathy
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  • First-Person Emotions : Affective Neuroscience and the Spectator's Self
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  • The Sensory-Motor Grounding of Abstract Concepts in Two Films by Stanley Kubrick
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  • Phenomenological Considerations on Time Consciousness under Neurocinematic Search Light
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  • The Feeling of Motion : Camera Movements and Motor Cognition
  • Cinéma d'exposition 2.0 : Mixed-Reality Games in and around the Museum
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  • L'analyse du film a l'ère numérique : annotation, geste analytique et lecture active
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  • Panoramic Visions of the Archive in EYE's Panorama : a Case Study in Digital Film Historiography
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  • Distant Voices, Still Cinema? : around the Movies
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  • Projects & Abstracts
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  • Reviews / Comptes-rendus
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  • Contributors / Collaborateurs
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• Information

  ISSN: 2035-5270

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