The Sensory-Motor Grounding of Abstract Concepts in Two Films by Stanley Kubrick

P. 77-90

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  • First-Person Emotions : Affective Neuroscience and the Spectator's Self
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  • The Feeling of Motion : Camera Movements and Motor Cognition
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  • Cinéma d'exposition 2.0 : Mixed-Reality Games in and around the Museum
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  • Distant Voices, Still Cinema? : around the Movies
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  • Projects & Abstracts
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  • Reviews / Comptes-rendus
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  • Contributors / Collaborateurs
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• Information

  ISSN: 2035-5270

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