Tintoretto and Drawing “dal vivo” in Sixteenth-Century Venice

P. 141-172

• Chapitres du même volume (disponibles individuellement)

  • Introduction : Jacopo Tintoretto : Identity, Practice, Meaning
    Obtenir le chapitre
  • “Thence comes it that my name receives a brand” : Tintoretto's Nickname Reconsidered
    Obtenir le chapitre
  • Tintoretto's Self-Portraiture : Shaping a ‘Furious' Artistic Identity in Sixteenth-Century Venice
    Obtenir le chapitre
  • Beyond Rivalry : Tintoretto and the Challenge of Composition
    Obtenir le chapitre
  • Problems in Tintoretto – mostly Graphic
    Obtenir le chapitre
  • Tintoretto and Drawing “dal vivo” in Sixteenth-Century Venice
  • Bleeding Paper : The Use of Red Oil Paint in Drawings from Tintoretto's Workshop
    Obtenir le chapitre
  • Artistic Liberty and Its Limits : Tintoretto's Temptation of Saint Anthony Abbot for Antonio Milledonne
    Obtenir le chapitre
  • Portrait of a Lady Revisited: Veronica Franco, Domenico Tintoretto, and the Reappropriation of Venus
    Obtenir le chapitre
  • The Allure of Flaws : Domenico Tintoretto, Venetian Academies, and the Crisis of the Cinquecento Tradition
    Obtenir le chapitre
  • Commemorating Tintoretto? : on the Nature of Anniversaries and the Task of Scholarship
    Obtenir le chapitre
  • Bibliography
    Obtenir le chapitre
  • Abstracts
    Obtenir le chapitre
  • Contributors
    Obtenir le chapitre
  • Index of Names
    Obtenir le chapitre
  • Index of Places and Collections
    Obtenir le chapitre

  Afficher plus
• Informations

  Code DOI : 10.23744/4339

  Permalink: https://digital.casalini.it/10.23744/4339