Hyper as a principle : process and error in the work of composer Alexander Schubert

P. 55-70

• Articles du même numéro (disponibles individuellement)

  • Cyberbored/Culture-Jammed : the short-circuit of musical progress
    Obtenir l'article
  • Machines can only dream of mistakes : the one-bit music of Tristan Perich
    Obtenir l'article
  • Mediations and voice-body technologies in the stage works of Du Yun.
    Obtenir l'article
  • Hyper as a principle : process and error in the work of composer Alexander Schubert
  • As if you were holding a bike handle : Malin Bång's transformation of the everyday into music
    Obtenir l'article
  • Time is on my side : The Rolling Stones
    Obtenir l'article
  • Forma formans : an investigation into the forms of time in Francesco Filidei's music
    Obtenir l'article
• Informations

  Code DOI : 10.12871/97888333957914

  ISSN: 2531-9094

  Permalink: http://digital.casalini.it/10.12871/97888333957914