Note on editors

P. 455-455

• Chapitres du même volume (disponibles individuellement)

  • Preliminaries
  • Foreword
  • Acknowledgements
  • Preface
  • Introduction
  • Guide to short forms used
  • The Windsor Leonardos, 1519–2019
  • Leonardo in the collection of general John Guise (1682-1765)
  • Leonardo drawings in bloomsbury and beyond
  • Leonardo's St Anne types and the dating of the National Gallery Cartoon
  • Towards a biography of the National Gallery's Virgin of the Rocks
  • Update on and insights into the Royal Academy Copy of The Last Supper and its reception in England in the first half of the Nineteenth century
  • The critical fortuna of Leonardo in Seventeenth-Century England
  • The National Gallery searching for Leonardo : acquisitions and contributions to knowledge about the Lombard school
  • Leonardo's afterlife in the world of New philosophy
  • Leonardo's science in Seventeenth- and Eighteenth-century England : the Codex Leicester, the Codex Arundel and the Codex Huygens
  • Leonardo's treatise and the empirical undertow in British art theory
  • Leonardo's treatise of painting : the first English edition and the manuscripts owned by Patch, Smith and Johnson
  • Rigaud's popular translation of Leonardo's Treatise on painting (1802)
  • Attitudes to Leonardo at the Royal Academy of Arts, 1768-1830
  • Alexander Cozens and Leonardo da Vinci : blot and landscape painting between the Eighteenth and Nineteenth century
  • The power of an intimate presence : Walter Pater's Leonardo essay (1869) and its influence at the fin de siècle
  • Re-reading Richter and MacCurdy : lessons in translation
  • Kenneth Clark and Leonardo : from connoisseurship to broadcasting to digital technologies
  • John Shearman's Leonardo
  • [Plates]
  • Picturec credits
  • Manuscript sources and bibliography
  • Index
  • Note on editors
• Informations

  Code DOI : 10.1400/275964

  Permalink: http://digital.casalini.it/10.1400/275964