Il fine sottratto : sull'ontologia drammatica di H.U. von Balthasar

P. 146-157

• Articles du même numéro (disponibles individuellement)

  • Introduction
  • Tele-Saar : Europe's First Commercial TV Station as transnational Experiment
  • Negotiating Television's Cultural Potential as Commercial Asset : Early Experimental Commercial Television in the Netherlands
  • Mapping the Region : the Scope of Southern Television's Identity during the Emergence of ITV.
  • Semi-Commercial or Semi-Public Service? : Legitimacy and Regulation of Commercial Television in Finland
  • La via italiana alla televisione commerciale
  • Da libere a private : sulla nascita della televisione commerciale in Italia
  • Berlusconi's Television, Before and After : the 1980s, Innovation and Conservation
  • Dallas, Italia : cronaca di un successo (non troppo) annunciato
  • Media Systems in Central Eastern Europe after 1989 : a National Way to Post-Communism?
  • The Commercialization Process of Romanian Post-Communist Television : the Movement for an Independent Television and its Consequences
  • The Commercialization of Television in Switzerland : a Matter of Neighbours
  • Il mercato delle location cinematografiche : un modello interpretativo
  • Il fine sottratto : sull'ontologia drammatica di H.U. von Balthasar
  • Note biografiche
  • Biographical notes
• Informations

  Code DOI : 10.1400/209461

  ISSN: 1827-7969

  Permalink: http://digital.casalini.it/10.1400/209461