North-West Passage : Yearly Review of the Centre for Northern Performing Arts Studies : 8, 2011
[Bergman : Behind the Mirror]

P. 7-244

• Articles du même numéro (disponibles individuellement)

  • Preface
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  • Bergman's Landscapes : From Shooting Locations to Metaphors
    Obtenir l'article
  • The Role of Music in Ingmar Bergman's Films
    Obtenir l'article
  • Notes on Young Bergman's Narrative Form : Kri.
    Obtenir l'article
  • We Are Like a Circus : the Magic Ring in Theatre and Cinema
    Obtenir l'article
  • Words Lie, Writing Penetrates
    Obtenir l'article
  • Unmasking the Face : Notes on the Look at the Camera in Ingmar Bergman
    Obtenir l'article
  • Sommarnattens leende : Motives, Themes, Figures
    Obtenir l'article
  • Sommarnattens leende or Unresigned Humour in Bergman's Cinema
    Obtenir l'article
  • Tystnaden
    Obtenir l'article
  • Like a Ghost Sonata : the Temporal Dimension of the Fantastic in Vargtimmen
    Obtenir l'article
  • A Strong Wind Indeed : Notes on Ingmar Bergman's Vargtimmen
    Obtenir l'article
  • References to Dionysianism in Bergman's Riten
    Obtenir l'article
  • The Work on Actors in the Polyptych of Fårö
    Obtenir l'article
  • Autobiographies Face to Face : Liv Ullmann and Ingmar Bergman at the Threshold between Reality and Cinematic Fiction
    Obtenir l'article
  • The Turk Unbound : the Captivity/Release Motif in Danish Theatrical Turqueries
    Obtenir l'article
  • A Doll's House on the Modern Chinese Stage
    Obtenir l'article
  • A Disenchanted View of Freedom : Elfriede Jelinek's Continuation of Two Ibsen' Plays
    Obtenir l'article

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  ISSN: 2036-5632

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