Iconography = Iconografia

P. [1-2] [2]

• Chapitres du même volume (disponibles individuellement)

  • Appreciations =
  • Appreciations =
  • Appreciations =
  • Appreciations =
  • Appreciations =
  • Appreciations =
  • Appreciations =
  • [Note su Branko Gorjup]
  • Introduction =
  • [Note sui traduttori e su Margaret Atwood]
  • This is a Photograph of Me =
  • After the Flood, We =
  • Eventual Proteus =
  • Journey to the Interior =
  • The Animals in That Country
  • At the Tourist Centre in Boston =
  • Progressive Insanities of a Pioneer =
  • Backdrop Addresses Cowboy =
  • A Voice =
  • Further Arrivals =
  • Looking in a Mirror =
  • Departure from the Bush =
  • Dream 1
  • The Small Cabin =
  • Procedures for Underground =
  • Dreams of the Animals =
  • She Considers Evading Him =
  • They Eat Out =
  • November =
  • Tricks with Mirrors =
  • Owl Song =
  • Siren Song =
  • There Is Only One of Everything =
  • Five Poems for Dolls =
  • Night Poem =
  • True Stories =
  • Nothing =
  • A Women's Issue =
  • Notes Towards a Poem That Can Never Be Written =
  • Variations on the Word "Sleep" =
  • Last Day =
  • Iconography =
  • Snake Woman =
  • Eating Snake =
  • Metempsychosis =
  • After Heraclitus =
  • The Saints =
  • Orpheus (1) =
  • Interlunar =
  • You Come back =
  • Waiting =
  • Cressida to Troilus
  • Sekhmet the Lion-Headed Goddess of War, Violent Storms, Pestilence, and Recover from Illness, Contemplates the Desert in the Metropolitan Museum of Art =
  • Marsh Languages =
  • Flowers =
  • Shapechangers in Winter =
  • Morning in the Burned House =
• Informations

  Code DOI : 10.1400/43931

  Permalink: http://digital.casalini.it/10.1400/43931