Rethinking the chronology of the Italian Ars nova : II - The long life of the Trecento repertory in late fifteenth-century Siena

P. 24-46

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  • Rethinking the chronology of the Italian Ars nova : I - Evidence of long-term continuity in the lauda repertoire
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  • Rethinking the chronology of the Italian Ars nova : II - The long life of the Trecento repertory in late fifteenth-century Siena
  • Sul mottetto Le temps verra tamtoust aprés attribuito ad Antonio Zaccara da Teramo : nuova lettura e interpretazione
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  • Una sconosciuta fonte dell'Orontea di Antonio Cesti : con alcune considerazioni sulla tradizione testuale e musicale
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  • Diogenio Bigaglia's motets for Munich
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• Information

  DOI: 10.53152/1511

  ISSN: 2385-2496

  Permalink: https://digital.casalini.it/10.53152/1511