Zur Porträtplastik des sechsten nachchristlichen Jahrhunderts

P. 65-106

• Articles from the same issue (available individually)

  • Il significato e l'architettura
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  • The cross-axis in Roman architecture a symbolic motif?
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  • The fragment of a group of wrestlers in Nasjonalgalleriet, Oslo
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  • Zur Herkunft des Antinousobelisken
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  • Der Sockel des Theodosiusobelisken in Konstantinopel als Denkmal der Spätantike
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  • Nochmals die spätantike Kaiserin im Norwegischen Institut in Rom.
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  • Some remarks on late Greek portraiture : especially regarding the Jamblichos type
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  • Zur Porträtplastik des sechsten nachchristlichen Jahrhunderts
  • A fragment of early Palaeologan sculpture in Istanbul
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  • Le pitture islamiche nel duomo di Cefalù
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  • Osservazioni sulle modifiche delle volte nella cripta di Anagni
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  • Effigiem Christi, qui transis, semper honora : verses condemning the cult of sacred images in art and literature
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  • The St. Anthony Abbot ascribed to Bartolo di Fredi in the National Gallery, London : a contribution to the attribution game
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  • The St. Sebastian tabernacle by Leonardo del Tasso in the church of St. Ambrogio in Florence : technique and restoration
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  • A tale of two cities : Florentine and Roman visual context for fifteenth-century palaces
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  • Der Triumphbogen Alfonsos in Neapel : das Monument und seine politische Bedeutung
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  • Das Portal der Cappella di Santa Barbara im Castelnuovo zu Neapel
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  • Titian's Triumph of Faith and the medieval tradition of the Glory of Christ
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• Information

  ISBN: 9788891317636

  ISSN: 0065-0900

  Permalink: http://digital.casalini.it/5550308