"Sei er gefehmt, sei er gebannt!" : il destino degli oppressi e dei redenti, da Tannhäuser a Parsifal

P. 99-135

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  • Introduzione
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  • Music, mimetic manipulation, and the politics of power in Imperial Germany
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  • Music, power, and changing semantics of time in the long Nineteenth Century
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  • Nobilissime logge per la Real Corte : usi, pratiche, significati dei palchi reali nei teatri italiani del primo Ottocento
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  • Opera in the bathroom : power and personality in Opéra de salon of the Second Empire
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  • Topsy-turvy or mainstream? : power structures in late victorian popular musical theatre
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  • "Sei er gefehmt, sei er gebannt!" : il destino degli oppressi e dei redenti, da Tannhäuser a Parsifal
  • La Chapelle royale durante la Restaurazione (1814–1830) : cerimoniale e ritualizzazione del quotidiano come instrumentum regni
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  • Choral societies and political power in the cities of Bern and Fribourg in the Nineteenth century
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  • Playing for supremacy, or the international contest of military bands in 1867
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  • The Tunisian Mālūf during French protectorate : power and decolonisation
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  • Exporting Naples : geopolitics and transculturality, from Io te voglio bene assaje to Caruso
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  • Potere e influenza dell'industria culturale : musica e immagini nella pubblicistica primonovecentesca targata Ricordi
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• Information

  ISSN: 0069-3391

  Permalink: https://digital.casalini.it/5525445