Between Music and Painting : Walter Ruttmann's Opus Films

P. 197-209

• Articles from the same issue (available individually)

  • Prefazione
    Get article
  • Listening and Looking in the Age of Sound Art : notes on History, Theory, Practice, and Reception
    Get article
  • Beethoven's "Appassionata" in the Tube : Conflicting Temporalities in Graphically Animated Music Videos
    Get article
  • Backstage Live : Theatre, Opera and the Obscene in the Visual Age.
    Get article
  • La popular music in una prospettiva transmediale : il caso della trap in Italia
    Get article
  • "Sounding" the Space : Soundscape and Construction of the Imaginary in the Historical District of San Berillo
    Get article
  • Between Site-Specific and Sound Installation : the Multisensory Experience of Andrew May's Unset
    Get article
  • Image of the Conductor : a Case Study of Simon Steen-Andersen's AMID
    Get article
  • "Da ward mein Auge wach" : Filmed Performances of Schubert's Winterreise and the Tradition of Visualizing Schubert Songs
    Get article
  • Against the Grain and Out Yonder : Decolonizing the Music Conservatory via Vernacular Pedagogies
    Get article
  • Between Music and Painting : Walter Ruttmann's Opus Films
  • Re-envisaging Chinese Traditional Music : the Use of Pre-existing Music in Post-war Hong Kong Martial Arts Costume Drama Films
    Get article
  • Il passato come "avvenir migliore" : sovrimpressioni mediali nella Traviata di Lazar
    Get article
  • Nei deserti di Varèse e di Viola
    Get article

  Show more
• Information

  DOI: 10.53152/1185

  ISSN: 0069-3391

  Permalink: https://digital.casalini.it/10.53152/1185