Preserving Memory or Fabricating the Past? : How Films Constitute Cinematic Archives of the Holocaust

P. 33-47

• Articles from the same issue (available individually)

  • Questioning the Images of Atrocity : An Introduction
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  • Lasting Remains : The Anesthetizing Gaze in German Postwar Cinema and Photography
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  • Preserving Memory or Fabricating the Past? : How Films Constitute Cinematic Archives of the Holocaust
  • History and Progress in Buried in Light and Empires of Tin : The Archive of Pain in the Oeuvre of Jem Cohen
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  • Wir wollen uns mit den Bildern unseres Landes befassen : Documents, Fetishes, Icons, Relics : the Reconstruction of the German Autumn as an Image
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  • Private Images in Place of the Beloved Bodies : Relics Against the Politics of Disappearance
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  • Malgré tout... l'image manque
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  • Perpetrator Images, Perpetrator Artifacts : The Nomad Archives of Tuol Sleng (S-21)
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  • Melodrama, Identity, and Community in Forbrydelsen
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  • The Museum as a Cinematic Space : The Display of Moving Images in History Museums
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  • Projects & Abstracts
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  • Reviews / Comptes-rendus
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  • Contributors / Collaborateurs
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• Information

  ISSN: 2035-5270

  Permalink: https://digital.casalini.it/5049037