Maybe there is no true story : Laila Lalami's The Moor's Account and the Shipwrecks of History

P. 49-64

• Articles from the same issue (available individually)

  • This is not a story to pass on : the representation of slavery and the International Slavery Museum in Liverpool, UK.
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  • Questions and Answers : Asylum Seeking Procedures Represented in Contemporary Literature
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  • Maybe there is no true story : Laila Lalami's The Moor's Account and the Shipwrecks of History
  • Una geremiade per i migranti : rileggendo The Grapes of Wrath di John Steinbeck
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  • Charlotte Smith's Cross-Border Narratives
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  • Impossibilità del ritorno in Una vita libera di Ha Jin.
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  • From Mugger to Rioter : The Myth of Black Criminality in Two Black British Texts
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  • Writing in the Foreign as a Self-Translation Practice in the New Aesthetics of Migration and Cosmopolitanism : Jhumpa Lahiri and Karima 2G as Case-Studies
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  • Nei paesi del sud le stelle sembrano più vicine : Culture, Sexuality and Self-Translation in Ornela Vorpsi's Il paese dove non si muore mai.
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  • Vedere, non vedere : Alessandro Leogrande e lo sguardo di Caravaggio
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  • Gli autori
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• Information

  DOI: 10.1400/278112

  ISSN: 2037-5042

  Permalink: http://digital.casalini.it/10.1400/278112