Caught in the second act : the relationship between film and the TV sitcom

P. 372-385

• Articles from the same issue (available individually)

  • Introduction
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  • From television to cinema and back to television again (25 years later) : Twin Peaks' ambivalent scriptwriting approach
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  • Creative strategies in the TV adaptation of Fargo : narrative and aesthetic features
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  • Caught in the second act : the relationship between film and the TV sitcom
  • The Italian storytelling approach to TV seriality compared to the US method : a case study
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  • Adapting Pippi Longstocking : the 1969 television series moves from Sweden to Italy
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  • Co-productions and the logic of negotiating stereotypes : Bron|Broen and The Bridge
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  • Identity, time and free in stories : a poetical study on the TV series Dark
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  • Illuminating the inciting incident and the lessons learned along the journey
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  • The Leftovers (rehated) : examining the layering of story and character archetypes in the television drama series : The Leftovers
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  • Indice ragionato
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• Information

  DOI: 10.26350/001200_000073

  ISSN: 1827-7969

  Permalink: https://digital.casalini.it/10.26350/001200_000073