On all fours passing, tintinnabulation : Murray Bail's Creative Case against the Imperial Word

P. 231-240

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  • Introducing The Tapestry of the Creative Word in Anglophone Literatures
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  • The Place of Literature : Bruce Bennett's Literary Scholarship
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  • The Power of the Creative Word : From Domination to Partnership
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  • The Creative Word, the Birth of Sound and Imagination in Samuel Taylor Coleridge
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  • Power and Dialogue : Symbiotic Relations between Female Convicts and Surgeon Superintendents
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  • Where a soul's sole hope lives : A Reading of Christopher Marlowe's The Jew of Malta
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  • Renamed and then named again : Narration and Creation in David Malouf's Fly Away Peter
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  • Taking Students to Shakespeare : the Language of Shakespeare Meets the Language of Pop.
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  • Nothing : Writing Poetry of Place and Belonging in World Literatures in English
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  • Reinventing the World through the Creative Word : Andrea Levy's Small Island
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  • Tracing Patterns/Unravelling Threads of a Poetic Fabric in Robert Sullivan's Cassino City of Martyrs/Città Martire
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  • The Silence of Words in Canadian Migrant Literature
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  • The Lost Child in Time and Language
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  • Aeroplane Dances : Evolutions in the Folklore of Aboriginal Australia and Apulia's Salento : aTranslator's Contribution
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  • Wordy-Wallahs : Partnership Strategies in World Literatures in english
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  • A Museum to Rescue Precious Words : The Intangible Patrimony of Orality and the Importance of Preserving and Enjoying it.
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  • Intercultural Awareness and Understanding Identities in Alan Duff
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  • On all fours passing, tintinnabulation : Murray Bail's Creative Case against the Imperial Word
  • Brave New Words in Adib Khan's The Storyteller
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  • YELLing for Partnership : A Social Platform for Sharing Practice and Reflection in Teacher Training for Language Learning
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  • The Federation of Letters : A Failed Partnership in Australian Literary and Political History
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  • Language, Eros and Culture in Xiaolu Guo's : A Concise Chinese-English Dictionary for Lovers
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  • Partnership Mythoi in Native American Cultures
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  • The Creative Word as an Instrument of Identity Transformation : The Ceremony of the Souls in George Lamming's Natives of My Person
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  • Biographical Notes on Contributors
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• Information

  DOI: 10.1400/230289

  Permalink: https://digital.casalini.it/10.1400/230289