Morris Lurie : Certainly There Is Irony

P. [1-8] [8]

• Chapters from the same volume (available individually)

  • Preface
  • Modelled on Blake?
  • The Australian Dream
  • The Translation and Marketing of Australian Literature in France
  • English in Ireland and Irish in England
  • History and Fiction
  • The Spirit of the Land
  • Telling the Truth about Australia's Past
  • Shabine's Voyage through Language and History in Derek Walcott's The Schooner Flight
  • Multicultural Australia and Transcultural Unreliable Narration in Indian-Australian Literature
  • Literature as Reconciliation of Confusing Identities
  • A Few Notes about History and Fiction
  • Resistant Women in Aboriginal Canada
  • Translating Aboriginal Myths
  • Unsettling the Southland
  • No One Gives a Fuck about Australia
  • Twenty Golden Years Ago and Meandering Through Clarence
  • Icon of Resistance
  • Wizards and Witches of Oz
  • The Goddess Slid into the Australian Desert
  • Questioning Belonging in Thea Astley's Vanishing Points
  • Morris Lurie
  • Turning as Theme and Structure in Tim Winton's Short Stories
  • Golf Beyond a Boundary
  • A Land of Ghosts
  • The Controversy about the Slave Trade and Slavery in Britain 1772-1834
  • An Australian in Italy, Bernard Hickey
  • Three Poems by John Newlove
  • For Bernard Hickey
  • Bologna Morning
  • Bernard
  • Divertimenti Italiani in Memory of Bernard Hickey
  • Last Time
  • Adze
  • Letter to Bernard Hickey
  • An Inquiring Man
  • A man of Many Muses
  • The Stone Lovers
  • A Life Story
  • Song
  • Journeys through Sicily, Calabria and Puglia
  • A Refreshing Cross Cultural Exchange Between Movies and Life
  • Biographical Notes on Contributors
• Information

  DOI: 10.1400/142318

  Permalink: http://digital.casalini.it/10.1400/142318