Plastow, Jenny The Feminine at the Front 2002 - CLUEB P. [1-10] [10] Is part of Ford Madox Ford and The republic of letters. - ( Heuresis. [Sez.] 16.: Sezione di scienze letterarie ; 7) Workspace Quote Chapters from the same volume (available individually) Introduction A Tribute to Malcolm Bradbury Ford and European Modernism: War, Time, and Parade's End Anectode as a Resource in the Writings of Ford Madox Ford "Scientific Historian" versus "Social Historian": Ford Madox Ford's Historic Sense An "Historian's Metods" ? The Feminine at the Front Ford's Art of Reading: Rethinking the Canon as a Trans-Historical Textual Community Mapping the Private Life and the Literary Canon: Ford Madox Ford's Mightier than the Sword A Proto-Modernist Artist-Critic Encounters a Victorian Painter-Poet. Ford Madox Ford on Dante Gabriel Rossetti The Marsden Case for the Canon Ford Madox Ford: Publishing and Publicity Ford's Biopolitics: Great Trade Route and the Philosophy of the Kitchen Garden The Clitter of Small Sounds: Desire and the Audible in Ford Madox Ford's A Call; the Tale of Two Passions Ford, England and the American Scene What James Knew. The "Saddest Story" of Ford and James Family and the Novel in European Modernism: Thomas Mann's Buddenbrooks and Ford Madox Ford's The Good Soldier Lawrence Durrel, Ford Madox Ford and Robert Louis Stevenson The Mad Woman we Love. Ford Madox Ford, Rebecca West and Henry James Ford Madox Ford, Stella Bowen, Jean Rhys, Jean Lenglet: Quartet whit Variations How Should We Read Ford? A Hidden Tragedy: The Good Soldier Hiding the Narrative: The Spaces of Fiction in The Good Soldier Photography and Other Simulacra in The Good Soldier Language Disturbances and Freudian unheimlich in The Good Soldier Information DOI: 10.1400/34954 Permalink: http://digital.casalini.it/10.1400/34954