Tintoretto's Self-Portraiture : Shaping a ‘Furious' Artistic Identity in Sixteenth-Century Venice

P. 47-83

• Artikel aus derselben Ausgabe (einzeln erhältlich)

  • Introduction : Jacopo Tintoretto : Identity, Practice, Meaning
    Artikel abrufen
  • “Thence comes it that my name receives a brand” : Tintoretto's Nickname Reconsidered
    Artikel abrufen
  • Tintoretto's Self-Portraiture : Shaping a ‘Furious' Artistic Identity in Sixteenth-Century Venice
  • Beyond Rivalry : Tintoretto and the Challenge of Composition
    Artikel abrufen
  • Problems in Tintoretto – mostly Graphic
    Artikel abrufen
  • Tintoretto and Drawing “dal vivo” in Sixteenth-Century Venice
    Artikel abrufen
  • Bleeding Paper : The Use of Red Oil Paint in Drawings from Tintoretto's Workshop
    Artikel abrufen
  • Artistic Liberty and Its Limits : Tintoretto's Temptation of Saint Anthony Abbot for Antonio Milledonne
    Artikel abrufen
  • Portrait of a Lady Revisited: Veronica Franco, Domenico Tintoretto, and the Reappropriation of Venus
    Artikel abrufen
  • The Allure of Flaws : Domenico Tintoretto, Venetian Academies, and the Crisis of the Cinquecento Tradition
    Artikel abrufen
  • Commemorating Tintoretto? : on the Nature of Anniversaries and the Task of Scholarship
    Artikel abrufen
  • Bibliography
    Artikel abrufen
  • Abstracts
    Artikel abrufen
  • Contributors
    Artikel abrufen
  • Index of Names
    Artikel abrufen
  • Index of Places and Collections
    Artikel abrufen
• Informationen

  DOI: 10.23744/4336

  Permalink: http://digital.casalini.it/10.23744/4336