In Caesar's name pronounce I : Language and Power in Shakespeare's Roman Plays

P. 107-126

• Artikel aus derselben Ausgabe (einzeln erhältlich)

  • The Illness of Shakespeare's Rome : An Introduction
  • The noblest Roman of them all : Shakespeare's Interiority and the Secret Life of the Stage
  • Like steel of too hard a temper : Shakespeare, Plutarch, and the Idea of Pristine Virtue in Livy
  • From Valour to Counterpoise : Coriolanus' Machiavellian Moment
  • Men's Busts and Women's Thighs : Anatomising the Body Politic in Shakespeare's Roman Plays
  • Romanity and sparagmos in Titus Andronicus
  • In Caesar's name pronounce I : Language and Power in Shakespeare's Roman Plays
  • Renaissance England's View of Rome
  • The Romes of Titus Andronicus
  • An Overview of the Fashioning and Refashioning of Coriolanus' Romanitas from Modernity to Contemporaneity
  • From Caesar to Brutus : A Note on Two Scripts of Ernesto Rossi's Giulio Cesare
  • Conspiracies for Children : Julius Caesar in Retold Versions of the Last Two Centuries
  • The Contemporary Past in Retakes on the Roman Plays : Recontextualising Themes and Modernising Character in David Lane's Work for Young People and for Community Promenade Performance
  • Roman Shakespeare and Adaptation : A Short Survey of the Silent Films
  • Abstracts
  • Notes on Contributors
  • Index of Names
• Informationen

  DOI: 10.1400/263860

  Permalink: http://digital.casalini.it/10.1400/263860